Secrets of Writing Dialog

May 31st, 2009

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When you have finished reading this article, you will have a good idea on how to write believable dialogue and know when you can break the rules.

Using effective dialog is a main part of any story. Good dialog moves the story forward and makes characters come to life. Dialogue will engage your readers as you reveal your characters to them.

This definition comes by way of the Encarta World English Dictionary: "the words spoken by characters in a book... or a section of a work that contains spoken words.

Dialogue has several functions:

? To express through conversations what the reader must know so they can understand the character's actions, motivations and thoughts.

To convey character that will reveal the lives of people in the story.

? To give the reader a sense of time and place through speech patterns, dialect, vocabulary and rhythms of certain kinds of people.

And, lastly, dialog develops conflict.

When you write a natual flowing conversation, you have written good dialog. People don't use good grammar in informal courses of speech; in print, it will make dry reading. Dialog must flow easily, like two friends discussing a problem.

Follow these simple guidelines.

? Spoken words are not always complete sentences.

The majority of people don't always use the best of grammar.

? Use words and word patterns that reveal your character's age, gender, region, ethnicity and/or historical time period.

Give your characters hidden personality through dialog.

Write dialog just the same as what you would hear in real life conversations. Too much description can be very distracting. Keep it simple to over being over zealous.

Let's take a peek at the scene in Gone With the Wind, where Miss Scarlett and Mammy are talking.

Mammy's tone became wheedling.

"Now, Miss Scarlett, you be good an' come eat jes'a lil. Miss Carreen an' Miss Suellen done eat all dey'n."

When you watch this kind of scene in a movie, it is one thing, but when a reader has to wade through pages of it, it's altogether another. For example, just try reading "Brer Rabbit"!

Very seldom should an author try to write this type of dialect. Trying to read an Irish brogue, for example, is a real monster. Using plain dialog will be helpful to the reader.

In real life, people talk for hours at a time and never mention scenery, but that won't work in a story. As a general rule of thumb, you should insert a break that describes scenery or setting every three or four paragraphs of dialogue.

Use good taste when you speak for your characters. Dialog can be overbearing if you have a scene with two people arguing for some time. It takes time to learn to write believable dialog.

If you want to write believable dialog, sit in a restaurant or train station and listen to how people talk. Take notes when you can (but you better not let them see you do it).

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What people are saying about this...

  1. Great blog. I especially appreciate the tip on interspersing the mention of scenery or setting every three or four paragraphs. It’s something I’ve wondered about because some day would like to write a book. Thanks so much!

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